The McLovins have had very good full moon weekends stretching back to their first Boston show last fall and last night’s Thunder Moon fete at the Main Pub 30th Anniversary Block Party was to be no exception. Equal parts homecoming and coming of age celebration, the band played a 2 hour set that was a perfect snapshot of the band’s current trajectory with no sign of growing pains. Coming off a 3 week break that saw their NATEVA performance achieve a mythic status online and Jeff’s visit to Israel, the band showed no effects from the layover and seem to have picked up right where they left off.

Expectations were high going into last night’s set, this was a tune-up for next week’s Gathering of the Vibes and after the layoff this was the band’s first local show in a month. Local Boston band Brothers McCann commanded the outdoor stage when we arrived and their blend of funky pop had the Main Pub crowd bouncing. They play a mélange of roots pop with a funky edge, their addition of keyboards and saxophone add color and depth to the sound. The best line of the night came from McCann Brother Pat or Mike who said “Up next are The McLovins and you’ll feel like you’re standing over a grill because your face will be dripping!” So the show got under way only about an hour late but the music would be as hot as the day was.

Deep Monster Trance kicked off the night and from the start it was apparent that the 3 week hiatus hadn’t meant a thing. The band brought in an incredible amount of energy and focus, feeding off of the crowd and pouring the emotion back out through the music. The third song of the set was Purple Trees and that’s when for me the night just took off. Jeff had already displayed some insane flourishes, and Jason and Jake were right with him but this night Purple Trees was a standout. This is my favorite song off of Conundrum and lately has been the springboard to their version of Rapper’s Delight. The surprise was as the Rapper’s began to die off, Jeff and Jason pulled the trigger on the intro to Tweezer Reprise and the crowd went wild, this is such a powerful song and the trio just destroyed it. In another interesting move, they dropped smoothly into Sea Of Wisdom, a second song off of Conundrum that’s been missing from sets for some time. This was played note perfect, very punchy and full in keeping with the tone of this show. Sea of wisdom was a nice tempo change and a bit of a lull, and then Milktoast Man which has been a recent set chiller, this was also twisted a bit with a second half jam that had an intense and shreddy feel, very loose and unhinged until dropping quietly back into the Milktoast groove.

Summer in the City was an appropriate choice for a warm mid-summer block party. This was last played at Strangecreek, and this time out Jason had a new effects pedal which was given a workout. Jake’s vocals were outstanding this night and Jeff had the perfect guitar tone for this cover. Cissy Strut was another surprise and is always a fantastic jamming vehicle for the band, Guillotine Machine and then Tokyo Tea closed out this extremely high energy, rocking set.

The real strength of this show comes from both musicianship and their re-acquaintance with their catalog. I think the band right now is in a position where their segues and drop-ins are perfect, as a trio they are more flexible to move in and out of jams, completely leave the original song behind and then on the turn of a dime bounce right back in. The show really gave them a chance to stretch, try some new things, remember some old things and all the while have a great time. Lately their jamming has a harder and funkier edge; no mere noodling here, this is Type II jamming, weaving threads of Prog, Jazz and funk into a heady pastiche that is satisfying both musically and thematically. The band is primed and ready, bring on The Vibes.

We're knee-deep in the run-up to Gathering Of The Vibes, but I'm just going to take a moment to mention a very nice review of GOOD CATCH which is coming up in the August issue of RELIX magazine. Amy Jacques wrote a great review, and has a solid handle on the band and the direction they're headed. Make sure you pick up a copy of this issue when it hits the stands, or better yet, subscribe so you can follow the future adventures of The McLovins and you know, I bet you can get the band to autograph a copy for you at a show.

They knew within seconds of the end of the show that all the practice and hard work had paid off, and paid off in a big way. As the band came off the stage, a phalanx of photographers and fans ran up to congratulate them. The audience was still going wild and some of the crowd came up with wide eyes and broad smiles looking to meet the band.







I always draw the cues about the show's success from the back-stage crew. For the most part these are journeymen technicians, they've seen it all and heard it all, so when you hear excitement in the voice of a sound or lighting man, you can be sure that it's sincere. Sometimes you can be too close to the band and though I really try to be as objective, it's easy to just go with the flow, so it's always great to see your opinions justified by that of professionals. I also notice how the band is treated by other bands that they play with. Their peer bands and even veteran musicians treat the guys with respect and professionalism, knowing that there is talent and drive behind all the success that they've achieved.






After an extended meet and greet with many of the fans that hang around after the show, then the gear gets stowed away and the last of the pictures are taken, it's time for the guys to enjoy the rest of the festival. We walk around for a bit and a constant stream of people come up to the band, praising the show, thanking them, taking pics, and it's just a whirlwind as they make their way to the hospitality tent. The band catches their breath for a bit and gets re-hydrated and then they take some time to go backstage to the main stage area and meet up with some o f the festival head-liners.





The rest of the afternoon is a blur of hellos and picture taking, as the band meets Ryan Montbleau, members of Drive-By-Truckers, Grizzly Bear and then they met the man. Wayne Coyne. Now Coyyne is the visionary lead vocalist cum driving force behind The Flaming Lips. Wayne is a very focused-soft spoken, gregarious man and he and Jake really hit it off. I'd like to think he was responding to the fact that here his band was headlining at a major new festival and in front of him was a hard-working talented young band who were just starting to make it. After some more camera time, he mentioned to the band that during the lips performance they like to bring people up from the stage to dress up in costume and dance during the show and would The McLovins like to do this at that night's performance? Jason and Jeff and Jake were pumped and after being shown their costumes, all that was required now was waiting until that evening's performance.

Just a quick post to remind everyone that tickets are on sale for the McLovins August 21st show in Old Saybrook at the Katherine Hepburn Cultural Arts Center. I got my tickets yesterday, The Kate is an intimate room that hold 250 so this will sell out. Get your tickets early so you're not shut out on this one, it's going to be great.

The Kate Box Office

Force is described as a push or a pull on an object. Force can also be due to phenomena such as magnetism, gravity, or anything else that might cause a mass to accelerate.

Shortly after setting up our campsite and tent, we set off for the shuttle that was to take us on to the venue, and that’s when I first heard it. “Mclovins!” someone shouted as we entered the bus and my daughter Kayla turned and smiled as we settled into our seats, hoping this was a harbinger of things to come. I try and wear Mclovins colors at all the away games, leaving no doubt as to whom I came to see, and this summer the “McLovins!” shout outs were growing in number. After a fairly thorough search at the gates, we strolled off to find the venue. The main stage was to the right side of the fairgrounds, dominating the scene with its wide spectator field and two flanking stages. The main lane leading into the scene was festooned with dozens of tents and vendor booths, resembling equal parts Country fair and Renaissance festival. After a bit of fumbling, we managed to find the Port City Music Hall Stage, a very large and spacious shed that looks to be used as a multi-purpose building for agricultural or 4-H events.

Grand Hotel was playing to a crowd of a couple hundred and after listening for a bit, we trudge on to catch up with the band. After wandering a while we caught up with The Mclovins and set out on further exploring the grounds. The shout-outs continued as the band took in the sights and sounds of this new festival, though the vibe was a bit different, and surprisingly there weren’t that many people around. Rustic Overtones was playing the main stage to a crowd of a couple thousand. The double stage set-up allows for a band to be loading in and setting up the stage while another act carries on with their own set, and the turn around time between shows is cut down to less than a half-hour. We spent a bit of time with the band on the main vendor area, stopping by to take pictures at the Gathering of the Vibes tent, and meeting up with many friends both old and new. Ryan Montbleau was taking the main stage and we managed to catch a good chunk of his set before setting off to PCMH Stage to watch the show.

The hall had cleared out from the previous band, and with the exception of a few tapers and the crew, we had the place to ourselves. Nateva had an excellent sound and lighting crew who quickly and efficiently had the guys set up and ready to go within 15 minutes. Now a small crowd had grown and they were about 5 or 6 deep at the front rail, but with about 10 minutes to go before the show a nice and steady stream of people flowed into the hall. The band took a quick minute to circle up and get their heads into the show before they took the stage to begin the show. Most festivals don’t have a traditional sound check, so after a minute or two of tuning, and with the room about half-full, Jake counted off the intro and the band broke into Bead Head Crystal Bugger. High energy and full of thick, syrupy bass and guitar leads, BHCB has quickly become a show staple, a potent and progressive stew spiced with just a touch of metallic flavor. The sound in the hall was full and powerful, Jason’s new bass amp just booming while Jeff’s typically pyrotechnic playing was in full effect. Playing a 45 minute set with the promise of an encore, the band tore through the performance.

Deep Monster Trance took on a booming tenor as Jake’s vocals soared and filled the room, the sound a siren call to all, as the audience quickly swelled while people continued to pour in. Tokyo Tea followed in DMT’s footsteps, an effervescent romp with a killer back-beat. This was the tipping point of the show, the hall was packed, you couldn’t squeeze anyone else in, the back VIP balcony wall was stuffed, and people were outside dancing and spinning. Milktoast Man is a nice chill number, but this usual set cool-down had little calming effect on the crowd who quickly started clapping along with the song. It’s striking how Jason and Jeff use tone and controlled power to such a great effect. The tempo doesn’t have to be racing for the song to drive; ‘the prudent application of force” that’s the McLovins sound in a nutshell for me. Jake and Jason trading lyrics, creating a soulful sound as Jeff conjures strains to envelope the crowd. Virtual Circle is the set closer, again raising the tempo and amping up the crowd, Jason and Jake just crushing the vocals as Jeff just shreds..a plain and simple application of force.

Having hurried the show along, an encore was certain, would they bust out YEM or would the call be for something else? The band stood grinning from ear to ear like a set of Cheshire cats as they knew what they would play, nodding furiously they again took their positions as the crowd worked itself into a frenzy, but you don’t need me to tell you what happened, Tweezer Reprise dropped and the place exploded.

50 minutes; sometimes that’s all it takes to create a buzz, maybe it’s all it takes to create something mythic. There must have been over 10,000 people at Nateva on Saturday, and it looks like the McLovins played to a crowd in excess of 1,300. This single performance set off a series of events that led to what happened Saturday night, and that, will be a tale for another time…

It’s a bit before 3:30 in the morning and I’m sitting here furiously typing notes about tonight’s show while the experience is still fresh in my head. Waking up in a few hours I’m sure I’ll be a bit more objective and hopefully better able to express myself more clearly. First impression though, they crushed this, this band came to play and had the floor shaking, and left the crowd drained and on their knees. I don’t know if it was the full moon, or seeing Phish in Camden during the week, but they brought everything they had and with a surgically precise strike they killed!

Working from a concisely drawn up set list, the band plowed their way through a 1 hour set followed by a 1-1/2 hour 2^nd. Jake handles the song selection, and always constructs the sets for maximum flow, the show having an organic feel as they move through a series of peaks and plateaus leading up to the final musical assault. They open up the set with a cover of Martha and the Vandella’s Dancing’ in the Streets, the classic summer paean to shaking’ your bones. This was played more along the lines of The Grateful Dead’s version rather than the Motown original. Slipping slowly in to Tokyo Tea the pyrotechnics started with Jeff just ripping leads and nimbly running up and down the neck. Virtual Circle kept up the high energy theme of the night, with an impressive series of tempo changes, while still retaining the song’s freight train velocity.

Milktoast Man is where the evening really crystallized for me. Set up in their current power trio configuration, Jake is playing from stage right, Jason in the center and Jeff is stage left. Jason and Jeff squared up for a series of complimentary runs, facing each other and leading Jason to rip the sickest bass solo, much to the delight of the crowd. Jake’s drum intro to Guillotine Machine has evolved into a full-blown drum solo, and is quickly followed by a dirty bass and guitar jam with Jason and Jeff again sparring with complimentary licks. Conundrum is one of my favorite songs off of their first album, and is so representative of the McLovins sound than anything off the first album Deep Monster Trance closed out the set with a slow bass groove, only to turn into an unchained beast as Jeff accentuates his leads by slowing down and speeding up again to catch the main groove, I’m pretty sure the song ended up clocking in at a bit under 15 minutes.

After a brief 20 minute set break, they break into Purple Trees, their anthemic crowd pleaser, once again Jason setting point and calling the thunderous transition into Rapper’s Delight. The crowd went nuts, bouncing and singing along, the band just reveling in the crowd reaction, easily drawing as much energy from the crowd as they give back. A smooth groove quickly follows as Jake breaks into Watchin’ The Detectives, a nice bit of a breath catcher following the set opener. 20 in a 35 is up next and has grown into a furious jam, pulling the band into a tightly wound powerhouse, just as the song starts spiraling out of control, Jake brought the beat back down and returned the train to the tracks. Bead Head Crystal Bugger is the band’s newest jamming vehicle, a potent progressive jam mechanism, with haunting leads and a rock solid rhythmic backbone. Again the energy in this show is insane; each song seems to rise to a higher level than the previous, a perilous ascent with short pauses before again scaling new heights. Jake calls out for a sing-along as Jeff and Jason dip into a laconic cover of Rocky Raccoon, setting the stage for an annihilating version of Killing Time. Jake offers a cautionary codicil to his introduction “there’s no explosions or anything” and wisely the crowd doesn’t believe him. This song is so epic in scale with an absolute deafening consummation.

Shakedown Street was called next, a traditional cover that has grown into a jumping off point for some very impressive second half jamming. Halfway through, the original tune is left far behind as the song is transformed into a bass and guitar jam showdown, before dipping gracefully back down into the groove. The set was winding down and I was expecting a forceful close. Jason moves up to the mic and I call Break On Through, though he had been suffering the effects of a chest cold, he seemed eager to attack the lead vocals. He broke out a smooth bass intro as Jeff slid in behind him with silky leads and Jason began to growl out the lyrics much to the delight of the enthralled crowd. I figured there would be a Phish closer and to my surprise it was Farmhouse. YEM is the traditional McLvoins Phish closer, a rollicking but technically demanding cover that doesn’t leave much room for musical exploration. Farmhouse was the cover choice at their Nectar’s show last spring and Jeff took the advantage this night to run a series of “No Woman No Cry” teases through this joyous sing-along. The band left the stage to cries of “One More! One More” were chanted by the crowd. Figuring Yem was next I watched as the band took the stage for the encore. Jason and Jeff talked for a bit and I saw Jake shaking his head as he waved off the first choice and after a quick minute they reached an agreement and it happened….

Jeff broke into the opening chords of Tweezer Reprise and the crowd went ballistic! I couldn’t believe this had been called. During the middle of Killing Time I made a note in my book to talk to Jeff about sticking a Tweezer Reprise jam in a future set, and here was the full song! Surely inspired by last week’s near legendary Tweeprise performances by Phish, the McLovins took this cover and made it their own, the whole bar was shaking, Jeff and Jason pogo-ing along with the crowd as Jake and the audience screamed out the lyrics. I really can’t explain how well this played out, it’s one of those see it to believe it moments.

Buzz Universe from Elizabeth New jersey came up to open last night's show for The McLovins. They are a 5 piece band comprised of Guitarist/vocalist Alex Garay, Drummer/Vocalist Dave Migliore, bassist/Vocalist Greg McLoughlin, Saxaphonist/Vocalist Brian Ciufo and Vocalist Rosie Lazroe. Buzz Universe is a energetic band with a sound I can only describe as folk/world/rock. They performed a sold 1 hour set, Garay's guitar work is very nimble and supple with a very nice sustain. Ciufo changed between sax and percussion all nights, with Mcloughlin and Migliore forging a solid rhythm base. The revelation of the band is the vocals with many of their songs featuring all 5 members in a nicely harmonic blend, Lazroe utilizes a nice punch vocal that pops right out of the mix. Set standouts included This Ol' Cowboy, Caballo Viejo and The Rock. I can't wait until they have a chance to play with The Mclovins again, perhaps next time a little closer to them.

The band opened their set with the original Another Way then covered Marshall Tucker's This Ol' Cowboy, then played Homer's Trio, All Of My Friends, Caballo Viejo before closing with The Rock.

This was such an epic show, not a false move was made as the guys were so confidant from the choice of songs to their musical swagger. The TweePrise was such a brilliant move, to be savvy enough to tap into the zeitgeist surrounding that song right now made this song the most obvious surprise to everyone except The McLovins. Summer is shaping up to be a behemoth with this show allowing the band to focus all their attention on the performance, they’re doing their job, it’s up to us now to support them and spread the word. This show sets the table for next weekends Nateva festival and this is a band on a mission and it’s taking no prisoners.

There's a lot of excitement over this weekend's show, Saturday night at the Main Pub in Manchester. This is the first show of summer vacation for the band, and it's a local show before a slight summer break bookended by 2 festival appearances. Buzz Universe is coming up from New York to open the show bringing with them their unique blend of world music and jazz funk. The Mclovins have always played well at this venue, with the size and sound of the venue placing it right in the band's sweet spot. Riding into this weekend following a stint in New York, and a couple local shows following their Mountain Jam appearance, the band is primed to really cut loose and tear the roof off.








"An original eclectic blend of rock, jazz, latin & other world grooves, BuzzUniverse features smoking horns and a rock-solid rhythm section. Since 2003, the band has been performing and tearing up clubs and large festivals and has released three captivating albums. Described by Relix Media as "addictive & hip-grinding," BuzzUniverse has enlightened loyal fans with brilliantly crafted songs, incredible vocal harmonies and ferocious live energy. Native to Elizabeth, New Jersey, BuzzUniverse aims to spread their unique sound and positive vibe far and wide"

Tickets are available in advance here for $10.00, come down and catch one of the few locals shows the band will be playing this summer.

A month ago I typed a few word about the Mothers that help make this band so special, now I’d like to focus a moment on their fathers. Again, this is a total team effort, each parent contributes in their own way, each using their strength to help move this band forward, and tho they toil behind the scenes, their influence is felt at every show.

Master of marketing..

Sensei of sound..

Ninja of the lense..

So another thanks to the men who labor behind the scenes, lets crack a cold one and raise our glasses to the men behind the band, Happy Father's Day!